Drive Angry director explains why Satan’s right-hand man is an accountant

Ever since we saw thegunfight sex scenefrom Nic Cage ’s bat - out - of - hell - screwing - shooting - retribution flick Drive Angry , we ’ve want to know more . Now the music director Patrick Lussier is collapse open Nic Cage ’s own personal Hell for us . And chatting about the Hellraiser - reboot .

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Nic Cage ’s eccentric seems to meet into that “ You ’re not supposed to wish him , but you ’ll stop up have a go at it him ” type . What else do we get it on about the quality Milton ?

Patrick Lussier : When Todd Farmer and I came up with the concept we want to write a story about a guy who was an rank bad - ass . A character who , in many other stories , could have been the baddie . But we wanted to write it as a story of redemption of a guy who ’s done a lot of bad thing in his life , but has now has a luck to do something correct . And not to preserve the world , but for unbelievably personal cause . He has fucked up a peck , and this was his chance to make thing right-hand . His chance to do one last heroic affair . That , to us , was really sympathetic . Nic was the first actor we hold up to , he say the book was the craziest thing he ’d ever read , and he brought him to life beautifully . Milton is a guy who can kill to people in the opening with absolute relentless pitilessness , but at the same time he ’s the guy wire you root for .

I register that Nic was a big part of developing his character and that he puzzle out intemperately on developing him with you , so what did Nic sum to Milton , what did he change ?

He lend a few character nuance about Milton . The look of the character was all over the station when we were originate . Nic had several ideas that went different directions . at long last we all sort of find him together . Milton ’s whole look in the film came in at the very last instant , we tried so many different things . At one period he as model sort of after the flavor of Roy Scheider in Seven - Ups , and that did n’t really work . Then we had this alligator skin jacket thing which was a small resonant of Wild At Heart ( even though that was a snake skin cap ) but that did n’t work . At the last minute we found this smutty jean jacket and t - shirt , just really simple , and that became him . This guy who has this incredibly simple directive .

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Very specific things pop up into my mind with Nic Cage and “ nuances . ” Like the way he talks like Adam West when he ’s in Big Daddy costume in Kick Ass , the wow in Bad Lieutenant . What little tic should we be looking for with Milton in Drive Angry ?

In part of the film he has this angry vellication , but it ’s very minor and you have to really front for it . As the character evolves through the course of instruction of the tarradiddle , that begins to fade . Mostly what he has is a knowing . This is sort of something that Nic come up with , he ’s a guy who has been to the other side and knows mode more than anybody else would . It was in the writing , but he really clasped cargo hold of it and brought it to life … . there are a few other things but you ’ll have to see it .

How much do we mete out with Hell in this film ? Milton is actually in Hell and then comes back so do we see him in hell , what ’s infernal region like for Milton ?

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When we write it that [ Hell ] was more of a reveal . But now it ’s laid out very ahead of time in the film , in all likelihood in flesh one . So yes , that ’s where he ’s from [ Hell ] . Not right away , I think he ’s primitively from Chicago . He breaks out of his punishment to set something correct . And he ’s pursued by somebody who secernate him that he ’s got to come back , “ you do n’t get to entrust . ” That relationship between those two guy is sort of paint to the supernatural element . You have someone who is unappeasable , unstoppable , wicked and darkly queer . But funny because they knew they would succeed and they have this overconfidence . It creates this constant jam on the hero and that as savage and relentless as Milton was , there was someone who was more so . And as hard as Milton is pursuing this cult and Billy Burke ’s character Jonah King [ the leader of the religious cult ] , there ’s someone chasing him as well .

Ok so you ’re blab out about The Accountant right ? Why call him The Accountant , how did you come up with that ?

Yes . We imagine Scheol as probably as very well done . With all our experiences with bureaucracy we guess that , yeah [ The Accountant ] would sort of make sensation . Bureaucracy can be really fell and of course we want somebody who would have that attending to detail . Who made sure the tab and balances were met and that every undivided column lined up . And if it was that person that came after you , you would be majorly fucked . We talked about how you ’d already see the hunter from hell and we think nah , it ’s a guy in a suit . It ’s a guy cable who look like a attorney , but is n’t . It ’s a guy who appear at phone number and is unbiassed to your plight . You ca n’t negotiate with him because to him it ’s just about making sure everything adds up . If you ’re against the Scripture , then he will ensure to discipline it . We just think it would be fun to have that , to make The Accountant the coolest character on the planet , and then call him the Accountant . Bill Fichtner he loves that part . Because it ’s the guy who does everything everybody want to do , and gets aside with it . So yes , he was a blast to write !

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Do we get to see Milton get punished in hell , and what is his penalty ?

That ’s a complicated interrogative . You have to see the film to understand what Hell is in this mythology and the nature of how you ’re punish . One could well say yes or no . You have to see Hell to see what I intend by that . You do see the nature of his punishment , yes . Do you see him really getting penalise ? Perhaps not .

I ’ve seen the Gunfight sex scene , how do you top that fit ?

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You surely have n’t see all of it . That conniption is maybe three clip as long . Oh god , yeah there ’s more .

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While we ’re on the subject of Hell , I ’d sleep together to know a little more about your next task , the Hellraiser film . Where are you right now with this flick ?

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We ’re in the writing process . This is a task that Dimension has been stress to develop for quite some clock time . It ’s sort of a … I do n’t cognize if reboot is the correct Christian Bible or remaining or reinvention , or re whatever . We pitched them a reasonably aggressive turn in the story , leading into the public that Clive [ Barker ] created in the first one . But not an essential remaking , because Clive ’s film is a watershed revulsion movie . Why make over something that take for up so attractively . That story is such a personal account . We talked about doing a intemperate and fast remake . And then talked about , “ What if we take the parts of that story , the role of the world that you ’re never allowed to see , mostly because they did n’t have the money or the time , and what if we walk into that reality ? What if we walk into the facet that Clive showed the world , but did n’t have the agency to hang back you in kicking and scream ? ”

How do write the backstory to Pinhead and that worldly concern ?

It ’s surprising where and when the ideas come from and how they operate . I ’ve take in all the theatrical reading , and I think I ’ve seen all the verbatim to videodisc films , except the latest which has n’t come out yet . You look at the appeal of the world . What is it about that universe that people are drawn to ? What is the darkness that people ca n’t turn away from ? And then you start working through the fib and the reference . What is the human tale that makes that human beings dangerous , compelling and something you must enter even though it ’s likely not in your good interest to do so . That is what we catch on to , and then you just want to have the most awesome coenobite action you’re able to and make it shockingly horrendous .

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How much of the cenobite humankind and the Pinhead world will be hard-nosed ?

As much as we peradventure can . Practical is always beneficial wherever you could do it . A mix of virtual and CG is in force , but it ’s better to have someone walking down a real hall than a CG hallway . These 24-hour interval it ’s all associate to budget and time . But the goal is to create a real reality and how that world moves in an out .

Have you talked to Clive since this has all amount out ?

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