Fuji ’s new top - of - the - ancestry mirrorless camera is pack with functionality , train to nail through the shortcoming of i ’s popular but imperfect X series line . The X - T1 has plenty of power , but ca n’t help oneself trip up over its own metrical foot .
What Is It?
A $ 1300 ( organic structure only ) mirrorless tv camera with Fujifilm ’s much - extol 16 megapixel X - Trans sensor . The X - T1 falls at the top of Fujifilm ’s occupation , even though the aging X - Pro 1 is more expensive . It boasts all the features that make demanding photographers swoon , like fast autofocus , a in high spirits character electronic viewfinder , and atmospheric condition waterproofing .
Why Does It Matter?
The first wave of mirrorless cameras concentrate on prosperous - to - use feature film for amateur photographers . They ’ve evolved , though , into photographic camera that elaborate and expand on those features to try and lure demanding DSLR users into the fray . Fujifilm , own some of the most beloved mirrorless camera out there , will have to rise to gamy expectation in monastic order to convince those plaguy holdouts that the X - T1 is for big kids .
Design
This might be my favorite of Fujifilm ’s Hellenic - style body . It ’s no longer just a Leica emulator . The viewfinder swelling is a welcome gain , one that many stigma are encompass , like Sony and Olympus . The X - T1 ’s physical structure feature a rubbery protruding clutches that does the job , but could have been slightly larger . Everything else is made almost completely of metallic element , and the dials do n’t find cheesy at all . In comparability to other high - ending mirrorless consistency , the X - T1 is about the same sizing as the the Olympus OM - D E - M1 and a bit larger than the Sony A7 / A7r . It is lighter than the E - M1 , but Fujifilm lenses are heavier , so it evens out .
The control condition on the X - T1 full comprehend the analogue look . They bet really cool , but alas the layout is a second of a messiness . Here ’s a quick laundry lean of gripes :
The tiny dial on front and back are gruelling to discover blindly with your finger . The exposure recompense and shutter speed dials on the top are too tough to wrench with just a quarter round . The usage function button on top is nestled tightly between two dials making it hard to press . The metering fashion switch beneath the shutter amphetamine telephone dial is too well bend by stroke . Same is true for the drive mode switch underneath the ISO dial on the other side of the camera . The quarter round wheel on the back does n’t protrude enough , making it difficult to turn . The same goes for pressing the guiding launch area on the back .

Whew ! I remember that about hide it . It all adds up to a reasonably frustrating experience . have strong-arm dials is great , but they also have to figure out slap-up to be useful , which sadly is not the type with many on the XTC - T1 .
Using It
Fujifilm put a lot of effort into make the decade - T1 speedy and antiphonal , and it show . It starts up tight , in about 1.5 seconds by our sentry . But once it ’s up and running , it can be a little gawky to use .
I already noted the ergonomic struggle with the forcible controls on the X - T1 , but there ’s a whole other publication in the controller layout itself . For me , the hallmark of digital television camera ascendancy is take in the three main exposure variable star — aperture , shutter speed , ISO — quickly accessible with one hand , and without involve to take your eye away from the view finder . With this photographic camera , you’re able to do neither of those .
The ISO button is located on the left side of the body . To get through it you have to take your left hand off the camera and can then only grow the dial with three fingerbreadth ! The shutter speed dial is also a painful sensation to turn unless you employ two fingers . This is partly mitigated by let you to conform the shutter speed up to one full stop consonant in either direction using the front control wheel , but that alternative is far from fast and simple . As with most Fujifilm X lens , the aperture is see to it via a lens ring , which is really with child . But overall , it ’s beguiling how unintuitive and ineffective this control outline is for a tv camera that is try fit the profile of a speedy workhorse .

The sad thing is that the whole problem would disappear if Fujifilm would let you customize the dials more . There should be a menu where I can assign ISO to one of the many function buttons , assign shutter speed to the front control roulette wheel , and voila , trouble solved . But alas , there is not .
Once you get past the controls and get down looking at exposure , though , you ’ll find out the same large image timber found in Fujifilm ’s other APS - C X Trans cameras . There ’s no point in belaboring this point , as Fujifilm has a terrific reputation with range caliber . pic have great color , terrific low light performance , and the selection of truehearted premier genus Lens and tone rapid growth gives you many options for super - precipitous pic . Video is moderately stinking , as with most Fujifilm soundbox . Videographers should be await elsewhere .
The X - T1 can fool away at 8 fps with uninterrupted autofocus , which does a decent job of traverse travel subjects , though it still ca n’t compete with high - end DSLRs . Autofocus for still subject is very fast , something Fujifilm has amend dramatically since the first generation of X series camera . The society claim that the X - T1 has the dissolute autofocus system in the world . It does n’t . It ’s fast , yes , but is noticeably slower than the Olympus E - M1 . Where Fuji does beat just about any mirrorless cam is in manual focusing aids . In addition to the common focus magnification and peaking , there is a super ready to hand mode that point you the full scene in front of you , plus a smaller square to the side that shows only the magnify focus point . Seeing both at the same time help you be sure you are getting decisive stress while not losing your bearings on the overall composition .

Here are some photos I take with the X - T1 . All of them were fritter RAW and converted in Photoshop with some minor color disturbance reduction ( the default RAW setting ) . For full resolution versions , visit ourFlickr set .
Fujifilm 18 - 55 mm f/2.8 - 4 @ 18 mm , f/9.0 , 1/180 , ISO 40
Fujifilm 18 - 55 mm f/2.8 - 4 @ 37 mm , f/4.0 , 1/180 , ISO 400

Fujifilm 18 - 55 millimetre f/2.8 - 4 @ 55 mm , f/4.0 , 1/500 , ISO 200
Fujifilm 18 - 55 mm f/2.8 - 4 @ 55 millimeter , f/5.0 , 1/180 , ISO 400
Fujifilm 18 - 55 millimeter f/2.8 - 4 @ 18 mm , f/2.8 , 1/160 , ISO 6400

Fujifilm 18 - 55 mm f/2.8 - 4 @ 18 mm , f/2.8 , 1/60 , ISO 6400
Fujifilm 18 - 55 millimeter f/2.8 - 4 @ 18 mm , f/2.8 , 1/180 , ISO 400
Fujifilm has touted the X - T1 ’s viewfinder as being among the honest . It ’s for sure vast , with a .77x magnification . It also has top - mountain pass resolution with 2.36 million dit , the same as the Sony A7 / A7r and the Olympus OM - D EM-1 . That create for a effective viewfinder , but it stumbles hard by being really noisy and overly contrasty . In dispirited light especially , blacks are crush and dissonance is rampant throughout the frame . The Olympus E - M1 , on the other hand , is crystal clear . This is a key difference , and Fujifilm will have to address it before claiming to have the world ’s best EVF .

For $ 1700 , you could get the X - T1 bunch with the 18 - 55 millimetre f/2.8 - 4 optically stabilized zoom electron lens . All our look-alike sample were taken with this lens . It performs just than most kit lense out there , and is a great option if you do n’t like prime ( please like primes ) or just want something various for daily shooting .
The X - T1 is atmospheric condition - varnish , the first Fujifilm X series with that feature film . This is becoming essential , particularly if you are traveling or shooting infotainment - style . Weirdly , there are exactly zero complementary Fujifilm X lenses that are conditions - seal , but those will no doubt be forthcoming in month in the lead . bombardment living is n’t terrific , but nothing to cry about , rated at 350 shots . There is an optional stamp battery suitcase usable for a whopping $ 250 if you really need excess juice .
Like
Looks can take a camera farther than most photographers are unforced to admit , and the X - T1 is fine beautiful . It ’s an all - around speedy photographic camera in AF , startup time , and burst charge per unit . Image timber is terrific and the lens choice is becoming more rich with high - quality option . The great build quality and atmospheric condition sealing will keep the camera secure from jostle and the elements .
No Like
The controls on the X - T1 are a mess . They go too far into analogue nostalgia at the expense of simplicity and speed . The EVF , while big , is very noisy in low-toned light .
Should You Buy It?
you could make a solid case theX - T1 , peculiarly at its $ 1300 monetary value . Despite the control queerness , there is presently no better high - ending APS - C mirrorless camera out there . If you are uncoerced to sacrifice sensing element size , I would absolutely recommend the likewise pricedOlympus OM - 500 E - M1over the Fuji , but that wo n’t satisfy photographers who swear by larger sensors . For about $ 400 more , you could get theSony A7which has a full - frame sensor and ranking image quality , but has a poor lens selection and is not about as reactive as the X - T1 .
https://gizmodo.com/olympus-om-d-e-m1-review-robust-utilitarian-and-wond-1379465592
https://gizmodo.com/sony-a7-a7r-review-so-long-dslrs-hello-future-of-ph-1469132320

In the ending , this is a camera you should try before you grease one’s palms , if at all possible . I found the ascendance to be an pain , enough so to say that I would have legitimately view buying an disco biscuit - T1 for myself if they were n’t so rasping . But you might finger differently ! Everything else about the television camera makes it capable of pretty much anything you ’d call for it to . And did I cite it ’s a looker ?
CamerasFujiFUJIFILMMirrorless CamerasReviews
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